Another great Rock interview. Chris Rock: The Rolling Stone Interview | Rolling Stone: "...black movies of substance tend to be civil rights.
Have you turned down roles in those movies?
Yes. Put it this way: I don't want to be in anything that happened before the Jackson 5. Anything before them is just black misery. Everything before the Jackson 5 is essentially slavery, or close to it. So as far as I'm concerned, Michael, Marlon, Tito, Jermaine and Jackie ended slavery. ...
You said that losing your father when you were 23 turned you cold.
I don't know if cold is the right word. It's just that when you know people die, it's hard to really get that emotional about anything. Like that scene in Annie Hall, where Woody is at the psychiatrist talking about how the universe is expanding and we're all going to die – so what's the fucking point? And there is something about your dad dying that makes you go, "What's the point? What's the point of any of this shit? What's the point of taking this test in school?"
Yeah, when your dad dies, you know you're alone...
Someone like Chuck D will say that there needs to be more historical awareness among hip-hop fans, that it's not right that the Stones can play arenas and stadiums and Public Enemy can't.
The Stones can play arenas because the Stones have songs that are not purely based on references that you had to be there for. I love Public Enemy. But they don't have "You Can't Always Get What You Want." Kanye will be able to play arenas maybe more than Jay Z honestly, because there's a vulnerability and an emotional thing that happens in his music that doesn't happen in most rap. I love rap, but rap is like comedy: It rots. Comedy rots. Trading Places is a perfect movie, just unbelievably good. But there are other comedies, not nearly as old as Trading Places, that just have references and things in them that aren't funny five years later. And rap's got a lot of that...
I think I've fucked up as much as anybody. But I've been lucky enough not to repeat bad decisions – that's the key. Like, let's not make the same mistakes as my other movies. "Hey, what would happen if I worked with a really good producer?" A lot of people when they have stuff that flops – like a movie that gets a 10 on Rotten Tomatoes – they just seek out the people that liked it and listen to nobody else. They put themselves in a world where their failure is not a failure. I never want to be that guy. Life gets long 'cause you keep doing the same shit."
Former police officers have different takes on policing - The Washington Post: "...in 1994, I joined the St. Louis Police Department. I quickly realized how naive I’d been. I was floored by the dysfunctional culture I encountered. I won’t say all, but many of my peers were deeply racist. One example: A couple of officers ran a Web site called St. Louis Coptalk, where officers could post about their experience and opinions. At some point during my career, it became so full of racist rants that the site administrator temporarily shut it down. Cops routinely called anyone of color a “thug,” whether they were the victim or just a bystander. This attitude corrodes the way policing is done.
...too many times, officers saw young black and brown men as targets. They would respond with force to even minor offenses. And because cops are rarely held accountable for their actions, they didn’t think too hard about the consequences . . . I felt like I couldn’t do the work I set out to do. I was participating in a profoundly corrupt criminal justice system. I could not, in good conscience, participate in a system that was so intentionally unfair and racist. So after five years on the job, I quit...
Next, from the famed law enforcement whistleblower Frank Serpico, in the New York Daily News: Was I surprised by the Staten Island grand jury? Of course not. When was the last time a police officer was indicted? This is the use of excessive force for no apparent reason on a guy who is selling loosie cigarettes; what is the threat to your well-being? If a police officer’s life is in danger, he has every right to use every force in his means to defend himself. In the old days, they used to put a gun or a knife on somebody after a shooting. Now they don’t even bother. But today, we have cops crying wolf all the time. They testify “I was in fear of my life,” the grand jury buys it, the DA winks and nods, and there’s no indictment . . . I hear cops saying all the time — and they’re proud of it — “shoot first, ask questions later.”
...They say, “It’s my job to get home safe.” Yes, but not at the cost of a human being who never posed a threat to you in the first place . . . The people want justice, and they need justice. And the police are supposed to be protecting their civil rights"
They know what they did.
Rolling Stone and the Cult of Credulity - Reason.com: "Where for most of the Age of Enlightenment it was considered civilized to believe that those accused of a crime were innocent until proven guilty, now it appears the way to show that you are a good and caring person is to do pretty much the opposite. You should believe instantly the alleged victim's every word, and by extension to believe instantly that the accused is guilty as hell. So when Dylan Farrow claimed she was sexually abused as a child by Woody Allen, the meme "I Believe Dylan" spread like a pox across the internet. #IBelieveDylan trended on Twitter. At Indiewire, Melissa Silverstein said "There are a few fundamental beliefs that I hold, and one of them is that I believe women." All women? All the time? Including, say, Condoleezza Rice when she said Saddam had loads of weapons of mass destruction? This is silly. Women are just as capable as men of making stuff up...
The cult of credulity doesn't apply just to women. When Shia LaBeouf rather fantastically claimed to have been raped by a woman in a crowded hipster art gallery, the cult-like chant "I believe Shia" started to spread. A writer for The Guardian, under the headline "I believe Shia LaBeouf," says she was shocked to see "expressions of doubt" on the Internet in relation to LaBeouf's claims. This is the scary situation we now find ourselves in: When it comes to rape, to doubt, to be skeptical, is apparently an act of evil. Even in relation to LaBeouf, whose last extended bit of publicity revolved around his rampant plagiarism as a filmmaker and tweeter...
This cult of credulity is the bastard offspring of the "Believe The Children" movement of the 1980s. Back then, in the U.S. and Europe, it was de rigueur to believe every accusation of abuse made by a child, even if a kid claimed, often under the influence of psychologists, to have been ritually abused by Satanists. To express skepticism about any of this was to be branded an enabler of abuse. As the British child-abuse expert Jean La Fontaine argued in her book Speak of the Devil: Tales of Satanic Abuse in Contemporary England (1998), the slogan "we believe the children" pathologized objectivity: "It was emphasized that if adults did not believe children, [then] they were denying help to innocent victims." And so it is today: if you don't believe Dylan Farrow or Shia LaBeouf or "Jackie," then you're heaping further pain on "innocent victims." So instead, you shoul suspend your skepticism and BELIEVE...
This is the climate in which Rolling Stone could see fit to publish an incredible tale of abuse—a climate in which credulity is worn as a badge of pride and objectivity is tantamount to a sin. Now, even as the hollowness of Jackie's claims is exposed, #IStandWithJackie is trending on Twitter and a writer for The Washington Post says we must still believe, "as a matter of default," those who make accusations of rape, because "incredulity hurts victims." It seems as if they still cannot shake their belief in Jackie's story, because theirs is effectively a religious movement, based in blind faith and openly hostile to "expressions of doubt."
...The "Believe The Children" movement had a disastrous impact on Western societies. Families were ripped apart on the basis of rumors and people were unjustly jailed. The "Believe The Women" cult is also harming society. It is whipping up a climate hostile to due process and warping one of the central ideals of civilized societies: that individuals are innocent until proven guilty. And it is needlessly spreading panic on college campuses, too. In pushing an expansive new law that will further curtail due process in the name of preventing sexual assault, Sen. Kristen Gillibrand (D-N.Y.) has claimed that "women are at a greater risk of sexual assault as soon as they step onto a college campus." As Slate's Emily Yoffe has documented, this is patently false. Women between the ages of 18 and 24 who are not on college campuses are in fact 1.7 times more likely to be the victim of violent crime, including sexual assault. "
Japan Wins.
Point well made in the commentary. Via downtime:
Foreign Aid Is a Failure - Reason.com: "In his 2013 book Doing Bad by Doing Good, the George Mason University economist Christopher Coyne explains why measures intended to alleviate suffering often go so wrong. Most people agree that wealthy countries have some responsibility to help relieve hardship in distressed areas. But while we are usually clear about our goals, we rarely stop to consider whether government can realistically accomplish them. Our efforts abroad tend to be marred by culturally illiteracy. Without meaning to, we frequently create perverse incentives that harm the people we are trying to assist...
Dambisa Moyo has a personal perspective on the matter. In her 2009 book Dead Aid: Why Aid Is Not Working and How There Is a Better Way to Help Africa, the Zambian-born economist characterizes foreign aid to Africa as an "unmitigated economic, political, and humanitarian disaster" that has actually made the continent poorer. Africans will never see their governments as legitimate, she explains, as long as most of the spending for education and health care comes from foreign countries. To Moyo, continued aid spending reinforces the perception that African governments are ineffective and makes it nearly impossible for them to break free from dependence on foreign help. Sketching the sad outcome for outside observers, she writes: "Stuck in an aid world of no incentives, there is no reason for governments to seek other, better, more transparent ways of raising development finance."
...Of course, no amount of evidence can dissuade a true believer. Among the foreign-aid faithful is the Columbia University economist Jeffrey Sachs, author of 2006's The End of Poverty and champion of the United Nations' experimental (and controversial) Millennium Villages Project. Sachs acknowledges that foreign aid often fails, yet he still calls for the design of "highly effective aid programs." He is short on details about the specific changes that would distinguish those ideal programs from existing, mistake-riddled boondoggles. Sachs takes it on faith that aid programs can be made effective. Unfortunately, he and his acolytes have failed to grapple with the fundamental reason so much aid fails: Governments simply do not have enough information to know what each dollar's best use would be. People are forced to compete for resources in the political arena, and money ultimately goes to those with the most connections, not to those most in need. Aid providers also have trouble figuring out which investments are most appropriate for a particular developing economy, so money ends up being poured into bad projects. These white elephants not only fail to encourage economic growth but frequently divert scarce resources to destructive ends. Aid money becomes a tool of oppression rather than empowerment. As Moyo put it in a 2009 Wall Street Journal essay, "A constant stream of 'free' money is a perfect way to keep an inefficient or simply bad government in power.""
The 70s were magical. Super Seventies — A sunken lounge, House & Garden, 1975.:
The Problem With Blaming Black Crime for Police Shootings - Reason.com: "The common impulse of whites, then and now, was to blame blacks for pathologies that whites played a central role in creating... The epidemic of unarmed blacks being killed by police comes not when black crime is high but when it is low. Homicides committed by African Americans declined by half between 1991 and 2008. Since the early 1990s, arrests of black juveniles have plunged by more than half. In New York City, where Eric Garner was killed by police, the rate of homicides by blacks is down by 80 percent. In Chicago, where most murders are committed by African Americans, the number last year was the lowest since 1965—and this year's could be lower yet."
Actually pretty awesome.
