Patton Oswalt | TV | Interview | The A.V. Club: "...It took me until my 40s to realize it: There’s no destination. There’s no getting anywhere. There’s just the going. The key to life is to make the going really fun. Because people that are like, “If I just get to this, then boom!” And then they get there and there’s this dawning of an afterwards. Whereas I’m just always in the going. And it’s not a frantic going like, “I gotta keep going or I’m gonna go nuts!” I can not do anything for weeks or months if I need to and just sit and read books or watch movies. I’m just as fine consuming and absorbing new art as I am trying to make it. But it’s all in the going."
Patton Oswalt Responds | Film | The A.V. Club Blog | The A.V. Club: "...the only criteria for my career path is, "How entertaining will this be for me, and how much money can I get?" Getting to work with Brad Bird at Pixar met both those criteria perfectly. But spending a month and a half in Vancouver, watching Wesley Snipes have a slow-motion meltdown in Blade: Trinity, was equally valuable and enriching. Reputation, posterity and cool are traps. Shaky Kane said that, I think.
(*One night, at a dive bar after the day's shooting, the director, me, and Ron Perlman convinced a group of bikers – "convinced" = "bought them a lot of alcohol" – to show up with the director for the next day's filming after Wesley tried to strangle said director the day before).
Thus, my desire to work with Paul Greengrass, Martin Scorsese and Ang Lee is equal to my desire to work with Nicholas Cage, Tom Cruise and Carlos Mencia. I want the money, and the anecdotes..."