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Thursday, October 13, 2005

"...hallucinogenic experiences are the basis for all modern-day religions." Well, no duh.

Graham Hancock channeling a bit of Terrence Mckenna, seems like...

Drugs, art and the aliens who lit our way to civilisation via The Scotsman:
...A reporter by trade, Hancock was born in Edinburgh before moving to India in his childhood. He returned to attend school and university in Durham, from where he graduated in 1973 with a degree in sociology. He went on to pursue a career in journalism, writing for The Times, The Sunday Times, The Independent and The Guardian.

But in the 1980s he gave up newspaper reporting to pursue his own passion - the lost civilisation of man. In the past 20 years, he's written several books including the best-selling Sign and Seal on the Ark of the Covenant - as well as filming documentaries about his research.

"Three years ago I decided to go back to the subject which fascinated me at university," he says. "I was interested in human origins, in what makes us different from the apes. I found that it wasn't the use of tools, as many people believe, but abstract thought and the ability to manipulate symbols." The answer was art. Cave paintings and writings which depicted thoughts and visions, none of which have ever been achieved by other species. In fact, even our human ancestors had no artistic capability. Or not until 40,000 years ago, at least.

"Previously, we were very uncreative and boring. We used the same tools continually without modifying them. Then, suddenly, a light switched on in our brain. Fossils from 40,000 years ago show that we began to explore spirituality, looked for signs of life after death and innovated specialised tools. And we began to paint. In France, Italy and South Africa and all over the world, they've discovered incredibly accomplished paintings, but no explanation for this burst of development."

This has been termed the "greatest riddle in archaeology", and many academics have devoted their career to its study. The reason behind the sudden transformation, the majority have concluded, is hallucinogenic plants. Magic mushrooms would be a relevant example, but all over the world, man stumbled across drugs which opened the possibility for spiritual, creative thought.

Professor David Lewis-Williams, of South Africa's Witwatersrand University, believes that is the end of the story. These visions - and therefore the art they produced - were universal because all of mankind has the same neurology. Our brains are wired in the same way, so when we take these drugs, our bodies have the same response. Indeed, at the University of New Mexico, researchers have found that volunteers given hallucinogenic drugs drew the same kinds of paintings as those found in the ancient caves. This, coupled with a wealth of other evidence, supports Lewis-Williams' theory that drugs are the answer.

For most people that explanation would suffice, but not for Hancock. He could not accept that the beginnings of human spirituality came down to brain chemistry. For him, there had to be more to it, and he decided to investigate, hence the first-hand research trip.

What he has found - and what forms the basis of his new hefty tome - is a theory that to many will sound absurd. He believes that when shamans and drug users experience these hallucinations, they are actually tapping into a parallel universe. The visions - be they of fairies, elves or aliens - are real, they exist all the time, and they want to communicate with us.

"Think of it as though the brain is like a TV receiver. In order to cope with everyday life, we have to tune into "Channel Normal" for the majority of the time. But if we retune our brains with these drugs, or alter our state of consciousness through rhythmic dancing and drums, we can see images of the parallel dimensions."

Hancock does not prescribe for a second to the idea that when people experience "alien abductions", they are seeing foreign creatures that may whisk them to another planet. What he does believe is that the spirits dwell in this other dimension, and if we let them, they will continue the teaching that they gave to our ancestors.

"I believe these hallucinogenic experiences are the basis for all modern-day religions. If you think about it, why would we ever have cause to imagine a spirit world? Our uncreative ancestors didn't, but then they found these drugs and saw for themselves the spirit world, and realised there was more to life. I think religion resulted from the need to explain these supernatural encounters."

A sceptic would maintain that, outwith the experience of those on drugs or in a trance, there is no evidence to support Hancock's theory. And many could take offence to his assertion that when Mohammed, Jesus Christ and St Paul thought they were experiencing God, they were, in fact, just accessing the parallel world. Part of the problem with accepting this higher plane comes in locating its origin. If these spirits are the "ancient teachers of mankind", as he says, where did they come from? In this instance, as with every other, Hancock points to science. Prepare for the most astonishing claim yet. "The secret could be in our DNA," he says. "When Francis Crick, the discoverer of DNA, died, it was revealed that his first vision of the helix module occurred while he was on LSD. Although he was an atheist, he then published a book which subscribed to the theory of intelligent design, that our universe was not simply the result of a series of chemical accidents.

"In brief, what he said was that after the Big Bang, life did not evolve first on Earth. At the far side of the universe, another civilisation developed, a highly advanced civilisation who surpassed the stage we have currently reached. He asserted that in some way their world became threatened - global warming, or some such catastrophic event - and so they devised a way to pass on their existence. They genetically-modified their DNA and sent it out from their planet on bacteria, with the hope that it would collide with another planet. It did, and that's why we're here." What Hancock goes onto explain is that the DNA was encoded with messages from that other civilisation.

They programmed the molecules so that when we reached a certain level of intelligence, we would be able to access their information, and they could therefore "teach" us about ourselves, and how to progress...

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